Let me know what you think about my idea to study DRAG PERFORMANCE at the graduate level, and to begin my studies before applying to graduate school with extensive field research in San Francisco and in other locales where there might be a thriving experimental queer performance circuit. I imagine a career teaching & directing young, budding drag princes & princesses, and progressively developing a solid, critical theory & history & aesthic of the art of DRAG PERFORMANCE. It sounds like a righteous, awesome plan to me!! But, the question is...can I turn it into a graduate or post-graduation educational track and an eventual profession? And can I get funding to study such an avant-garde, alternative, peripheral form of art?
So what do you think of all of this? It's a far off thought that I pontificated on in journal form for my Last.fm audience, so that I could share it with all of my blog followers now. It's a unique thought, this idea of mine! What I didn't leave mention for in the journal entry was the pinultimate crux of the idea I actually have to broaden my study of the trans-queer art of drag. I shouldn't share the idea now, for fear that someone might steal it, but I highly doubt that my readership is of such high numbers that I could risk losing out on the originality of an idea to intellectual property theft or mishandlings.PLAYLISTS: ponderances of prettily
pontificated pleasure listening...
[ Last.fm JOURNAL Entry : 06.16.09 ]
Early this morning (or was it late last night? — I DON'T CARE!! I don't know!!), I randomly found myself linked to Last.fm on my computer, just listening for pleasure and to be introduced to new musical artists, as I sketched away in my drawing book and diary. I had nothing to do after reaching a moment of pause in my doodling, so I sat down to record tags and playlist (v.) certain songs that I had been listening to on the random, fagottry "flame-boi-ant-lee" FIERCE station "Artist - Kelly Clarkson Radio."
See, I enjoy Kelly Clarkson. At least, I am fond of her debut album, which I had previously purchased from the iTunes Store for my music library and to which I have listened avidly and with pleasure recently. So, I thought that I would enjoy songs by various artists similar to Kelly Clarkson, and essentially (vaguely?), I did.
What's so poignantly perturbing about this inclination of mine to listen to CHICK POP!! (or what I have called "LA LA Lady" POP!!), is that these songs awaken in me my deep-seeded interest in and penchant for the trans-queer experimental performance art of DRAG!! All the songs that I listened to tonight, and especially the ones that I added to my new playlist, are perfect for a budding drag princess musical performance repertoire.
As I am no longer beautiful enough a boy to "trans-form" my fabulosity into a FIERCE "Fagged-Out Funambulist Freak Show" drag diva dreaming, because I have lost my face after a terribly traumatic illness and injury to the face: a necrotizing bacterial infection (i.e., Gangrene!!) that led subsequently to the amputation and ongoing craniofacial reconstructions of my mouth, nose and upper jaw, I can no longer dream of becoming a drag diva one day.
But I can and do dream of becoming what I like to think would be an objective, outside expert on the study of EXPERIMENTAL QUEER PERFORMANCE (i.e., drag!!), it's AESTHETICS and its HISTORY; its COMMON PRACTICES & CANONICAL DEFINING ELEMENTS; and eventually discovering/creating a theory behind it all!!
This is a dream that I can still pursue, even to a graduate/post-graduate level of study, to receive a PhD in Performance Studies and to teach DRAG at the M.F.A. Level. A significant component of my dream accomplished would be to open a B.F.A./M.F.A. Drag Performance Conservatory where accomplished older drag queens who have succeeded in stretching the boundaries of their art and in creating a variety of memorable personae act as master teachers, training young gay (or straight!! yes, of course, straight!!) men in the practice of the art of drag performance: vocal technique, lipsyncing, dance, costuming, wig design/maintenance, makeup design, character development, history, aesthetics, experimentation, defining your own art, etc... The school could also be geared toward lesbian or straight women interested in pursuing the art of the Drag King!!
Here's an example of premier Experimental Queer Performance (DRAG!!) from the San Francisco Bay Area's ultimate drag performance phenomenon: Trannyshack!! HEKLINA is a mega-star in San Francisco!! Wow! It'd be a dream to study with her for a couple of months, and to really get acquainted with her performance style and technique, maybe even eventually helping her rediscover and redefine some of her aesthetic, to make it all more theatrical, professional, performative (instead of just kitsch, like you see here in this video!) But, "kitsch" is popular!! It's what works! I wouldn't want to change anything that works well, maybe just enhance it or at least study it in depth. The theories & practices that I will develop in this course of study will ultimately transcend the kitsch & camp, and will be true, genius art. That's my dream! And Heklina would be a great partner in crime for this adventure: a dream diva to work with!!• • • • • • • • • • • • • • • • • • • • • • • • • • •
These songs that I have listened to: CHICK POP!! are perfect songs for the contemporary drag repertoire. For now, before ever thinking of going back to school to study DRAG, I should start by conducting independent field work on my own, interviewing drag queens in the San Francisco Bay Area and afar, learning their techniques for developing character, examining their personal endeavors at training themselves, because no school really exists yet, and learning about the dynamic of the drag diva/princess mentoring relationship.
I could feasibly write some articles for scholarly journals about the art of drag and about my observations based on extensive independent field study and get published before applying to grad school. This would only help the acceptance process and prime me for admittance to only the best, topnotch Performance Study PhD programs in the country (particularly, the local UCBerkeley program, or the NYU Tisch School Program, or the Northwestern Program, or a program at UCLA—but I think Berkeley would be most accepting toward this route of study!!).
I definitely can get access to a number of San Francisco Bay Area drag queens (the most reputed, widely acclaimed and celebrated, and the most successful) for interviews and such, via Facebook and connections I have to the Imperial Court of San Francisco and to the Sisters of Perpetual Indulgence, Inc. This would not be difficult; it would only take initiative and courage on my part to face my fears of interacting with new people despite my disfigurement and despite the fact that I wear a mask. But, for sure! This would give me something constructive to do during the in between time before and after my subsequent reconstruction surgeries.
All this thought about my desires to study DRAG PERFORMANCE stems directly from this "Artist - Kelly Clarkson Radio" that I was listening to on Last.fm. All of these wonderful female pop sensations that I discovered just listening to this brand of music has opened my mind to so many possibilities.
I could even think about dabbling in direction of drag personae, working with budding or seasoned drag queens to refine and redefine their personae and the style of their performance, for the sake of aesthetic enhancement of their performances. And I could feasibly organize a evening of drag performances directed and choreographed by myself and other talented drag queens or professionals and debut it at the supperclub san francisco [ S© ], a contemporary, chic dining and performance space in the South of Market District of Downtown San Francisco, reputed for hosting the Beneficiary Awards Reception of FOLSOM STREET EVENTS® each year, for the past three years. It'd be a perfect space for something like that! What a great idea! It would just take a lot of work, and a large following of committed drag queens!! You think I could do it? I wonder...
Tonight, I also completed my POP ALTERNATIVE MALE VOCALISTS playlist, so that it includes just enough playable tracks and individual artist to be playable itself on Last.fm. Now, I should be able to call this playlist up to be played on my Blogger® Page: http://qherekidsf.blogspot.com/, where I have a Last.fm widget in my right-hand sidebar. In fact, that is how I discovered Last.fm...through Blogger® gadgets.
And finally, I also edited the Last.fm P!nk biography to include playable tracks, links to artists' pages and an END NOTE on the super queer-fabulous friendship between P!nk and Ellen Degeneres. I wrote of how P!nk's appearances on the ELLEN DEGENERES SHOW have only served to promote (if not cement?) P!nk's stardom and pop celebrity. I cited the fact that P!nk was one of the only musical artist to be selected to perform at Ellen's 50th birthday party. And how P!nk debuted ELLEN's "Bathroom Concert Series" with a duet rendition of "So What." Here's a YouTube video of that performance:
Wasn't that just great to watch!! Their friendship is such a reward and a remark on the power and pomposity of the queer community!! They are both such stalwart advocates of equality for all!! And their friendship is magical, helping to define both of their celebrities. That was my final bit of contribution to Last.fm this morning, and that is where I will end this journal entry.
Please respond with comments, feedback and shoutbacks!! I'm always interested in hearing from followers of my blog and journals to see if there's any apparent way that my perspective on things might change because of what I learn from others. That's how it works for me! It's about give and take... So please give a little bit of comment on what I've discussed here as my drag diva deuteronomous dreamings!! Thanks!! And I look forward to next time... Cheers! Ciao! Namaste!
Respectfully submitted,
Matt(e)o | QHereKidSF
Matthew D. Blanchard
San Francisco, CA 94109-7821
[MDB2009.06.16@06:43PST]
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IF ONE ADVANCES CONFIDENTLY IN THE DIRECTION
OF HIS DREAMS, AND ENDEAVORS TO LIVE THE LIFE
HE HAS IMAGINED, HE WILL MEET WITH A SUCCESS
UNEXPECTED IN COMMON HOURS.
— Henry David Thoreau (1817-1862)
So, I'll venture forth with the crux of the idea here in the closing of this blog entry. What I envision as a graduate or post-graduate work of study and scholarly writing is the publication of a combo piece of academic and how-to literature. I envision publishing an outrageous, cartoon-illustrated how-to book with in depth instructions on the study of DRAG PERFORMANCE that incorporates academic writing in a covert, obtuse but very accessible way about the History & Aesthetic Developments of Contemporary Drag and Drag Performance throughout the ages.
There would be discussions on Greek Comedy (like Lysistrata), DRAG in Gothic Passion Plays, Elizabethan Drag Performance, performance of the costumed lovers' tryst in 17th & 18th century French Comedy of Manners & Comédie Bourgeoise, to discussion on the pre-war art of female impersonation and the carnival-esque in Britain, France & Germany.
There will also be discussions on post-war French surrealist & dada theatre (such as Apollinaire's Les Mamelles de Tirésias), to writing on pre- & post-Stonewall modern drag performance and eventually on contemporary experimental avant-garde drag performance in film and theatre (such as Priscilla, Queen of the Desert; To Wong Foo, Thanks for Everything Julie Newmar; Hedwig & the Angry Inch; La Mala Educazione, as well as other lesser known cult film classics), and discussion on contemporary regional drag traditions across the country and across the globe (such as San Francisco's very own local cult phenomenon: Trannyshack!! hosted by the infamous and celebrated icon, HEKLINA—as seen in the first video embedded into my journal entry).
The book would be accessible to all queer and queer-friendly audiences and would particularly be used as the major academic learning text for the Conservatory of Drag Performance that I have envisionned opening in San Francisco or Los Angeles or in New York City. The book could have accompanying texts, such as exercise books for character studies, and could include a CD or DVD compilation of recorded audio or video drag performances and DIVA pop!! for the musical drag repertoire: a comparative musicological study on the various genres particularly fitting for various traditions of drag performance around the globe, and throughout history.
See, I have high hopes, and I am here, right now, laying claim to this very unique idea!! I haven't heard anyone ever discuss such an idea as plausible and feasible, but I believe that it especially is so. It's something that could really spark a burning ember of passion amongst the queer and queer-friendly communities for the art of drag, in essence, refining the public's tastes on the art of drag performance and improving the art itself, at the same time. This is what I envision!!
What do you think of the idea? Don't steal it from me! This idea has given me something to live for beyond my disfigurement!! I want so badly to make it happen, to realize this dream of mine, and ... IT IS POSSIBLE!! I just have to hope and pray that some seasonned, professional DRAG QUEEN doesn't come along and accomplish all that I have described before I get a chance to get around to start pursuing it as a plausible, real idea myself. That's my matter of worry! That's the only obstacle standing in my way!!
I should copyright this!! In fact, from here on out...ALL OF MY BLOGS ARE COPYRIGHTED BY QHEREKIDSF | MATTHEW BLANCHARD, ©2008-2009!! I hereby lay claim to my own ideas!! Let this be record of one of my particularly major, significant proprietary ideas: intellectual property!! What do you think? Are you gonna plan on stealing the idea from me?? Gosh, I hope not! What else would I have to live for?? That's all for now! Peace Out! Cheers! Ciao! And Namaste...
Copyright ©2009
Matt(e)o | QHereKidSF
Matthew Blanchard
San Francisco, CA 94109-7821
[MDB2009.06.16@12:31PST]
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